Museum collections are a scientific resource. They let researchers refer to a single specimen over and over, or look at variation over an entire continent, or go back and look at change over a century.
They can also be weirdly beautiful.
Museum collections are a scientific resource. They let researchers refer to a single specimen over and over, or look at variation over an entire continent, or go back and look at change over a century.
They can also be weirdly beautiful.
The next time you come across an ancient Egyptian mummy in a museum, rather than thinking of looming pyramids and cursed tomb robbers, consider this: that mummy was probably a better birder than you are.
Okay, I don’t know if the ancient Egyptians would have considered it “birding” – I doubt they maintained life lists. But they certainly knew their birds to a degree that I doubt many in the modern era could equal. The Oriental Institute’s exhibit “Between Heaven and Earth: Birds in Ancient Egypt” showcases just how thoroughly birds permeated every aspect of ancient Egyptian life. They painted birds and sculpted them, drew them in their writing as hieroglyphs, raised and shepherded and ate them, and saw their gods embodied in their forms.
In the course of my junco specimen bill measuring – I’ve measured 561 so far – I’ve handled ratty specimens and fine ones, old and not-quite-so-old. (Most of the specimens are from before 1950, so they’re all fairly old.) It’s fun to see how much variation there is even among individuals from the same subspecies and the same state. Here are my three favorite specimens:
“You work in a museum and you don’t collect? At all?” My officemate glanced up from labeling specimen tags to give me an incredulous look.
“Yep,” I said.
I work in a museum filled with hundreds of thousands of specimens, and I do not add to them. I do not collect: i.e., “sacrifice” (kill) birds in order to add them to the museum’s collections. Many researchers would consider this to be poor teamwork, even poor manners – here I am measuring bills, benefiting from others’ collecting work, and not contributing! What is my problem?
Edit: I have added identifications to each photo in the caption.
The curators at the museum decorate for the holidays by changing around the mounted specimens on display. (These are all pretty old, usually gifted to us – we almost never mount specimens in a lifelike way.) For Thanksgiving, all the specimens on display were edible animals.
For the winter holiday season… quiz! What connects all of the specimens in these pictures?
(And if you’re not into the quiz, here is your holiday/day-before-the-end-of-the-world gift: a video of a sledding crow.)
As I mentioned before, I don’t get to be out in the field interacting with the juncos right now. I am, however, making use of the other juncos: the ones that don’t fly away, don’t stress out when I handle them, and are always there when I go to look for them. The ones that live about twenty feet from my office.
I work in a museum, remember?