This is what evening in the field sounds like

One of the biggest changes for me in being in the field, aside from the living-in-a-tent-and-smacking-mosquitos aspects, is becoming intensely aware, all the time, of sound. I’m listening for singing juncos, to know where the territories are; for quietly cheeping juncos, who are usually foraging, to read their band combinations; for angry chipping juncos, whose nests are nearby; for juncos giving what I think of as the ba-boo boo boo call, affectionately greeting their mates. We live in the midst of the juncos, so I’m always listening. And so I hear all the other birds too.

In early evening, with the sun bright but the air beginning to chill, we hear the daytime birds still: the juncos’ songs, loud and strong but, dare I say, less than nuanced (click on the linked text, then click the forward-arrow play button, to hear the sound).

The strange, carrying complaints of the Red-breasted Nuthatches.

Red-breasted Nuthatch: such a small bird for that big noise.

Red-breasted Nuthatch: such a small bird for that big noise.

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What the chickadees are saying behind your back

Black-capped Chickadees may be the easiest birds to identify by ear. Chick-a-dee-dee-dee, they sing, telling you exactly who they are. (I’ve heard that towhees do this too, but the towhees I’ve heard always seem to be saying twee or taree, from which I would not be able to get “towhee” unassisted.)

Don’t you know who I am? I’m Chick-a-dee-dee!
[A Mountain Chickadee, not a black-cap, but I don’t have any photos of black-caps.]

Of course, the chick-a-dee sounds like a vocal nametag to us only because someone had the good sense to name chickadees after their call. But it serves as an identifier among the chickadees too. The “chick-a-dee call complex” consists of four note types (the A, B, C, and D notes in a row might be transcribed as chick-k-ka-dee) that can be given in various combinations. Each note type itself can vary in frequency and duration. The chickadees thus have a lot of potential variation to work with, and they do. The D (dee) notes alone indicate both the identity of the individual bird calling, and the flock it belongs too—rather the same way that an Englishman saying “Hello, my name is George,” might indicate to compatriots both his own identity (George) and, in his accent, the region he is affiliated with. When captive chickadees are put into new flocks, the calls of the new flock members change, converging on each other, to indicate their new flock membership.

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